Anthropomorphicals I and II. 1964. Plexiglass and Aluminum. 65in. x 20in. x 24in. Richard Feigen Gallery, New York. 1965. Source: Beyond Modern Sculpture – Jack Burnham 1968 It would be misleading to classify [Hans] Haacke as an artist primarily devoted to applying cybernetic principles to mechanical artifacts; rather his interests are in those cyclical processes …
Akira Kanayama’s painting machine from 1957 was a four-wheeled device that Kanayama could remote-control to create paintings approximately 180 by 280 cm. The canvas lay on the floor and the machine dripped and poured paint on the picture pane. The painting machine is an early example of the machine/robot in the role of artist. Kanayama’s …
U&lc. Illustrated by Murray Tinkelman, December 1979 I love machinery. I love drawings, photographs and diagrams of machinery, particularly diagrams. They look important, they demand respect, and they inspire confidence. How dare anyone doubt that those dotted lines, those beautiful arrows, and the mystically placed little uppercase letters indicate something of great but obscure significance? …
CYB Head and Arm – 1969 Plexiglass, aluminium, and wires. cybernetic man — birth of a new type of man, adapted to new duties and interplanetary missions. we known already at this moment that it will be soon possible to adapt man to new environments by adding or replacing parts of his body with cybernetic …
Interview with John Gaughan who restored "Tap Dancer". AN INTERVIEW WITH STEPHAN VON HUENE ON HIS AUDIO-KINETIC SCULPTURES Dorothy Newmark* * Computer artist living at 820 Hermosa Drive, N.E., Albuquerque, N.M. 87110, U.S.A. (Received 22 November 1969.) Interviewer's note—Stephan Von Huene was born in Los Angeles, California in September 1932 and is currently residing …