1964-5 – Robot Art – Enrique Castro-Cid (Chilean)

Anthropomorphicals I and II. 1964. Plexiglass and Aluminum. 65in. x 20in. x 24in. Richard Feigen Gallery, New York. 1965. Source: Beyond Modern Sculpture – Jack Burnham 1968 It would be misleading to classify [Hans] Haacke as an artist primarily devoted to applying cybernetic principles to mechanical artifacts; rather his interests are in those cyclical processes …

1971 – “COSME” – Le Chevalier de L’Espace – Jeanne Renucci-Convers (French)

Cosme, le chevalier de lumière… est le dernier né et le géant des automates.            Nous voilà bien loin des premières poupées articulées. Cosme n'est pas seulement colossal (5 m. de haut, 1.350 kg), il a de l'ambition et veut synthétiser en lui l'humanité présente et future dans le contexte technique qui est le nôtre.                                            Animé …

1972 – BioMechanical Sculpture – Trefor Prest (Welsh-Australian)

Trefor Prest creates some of the most amazing and fantastic sculpture I've ever come across. I've been to Gruyeres and seen H.R. Giger's work, seen Hans Bellmer's "Machine-Gunneress in A State of Grace", and to see Trefor's sculptures is something else again.  His maritime series has a Vernian feel about them, a world of Nautilus submarine melded with …

1975-6 – “Blue Wazoo” Cybernetic Sculpture – Jim Pallas (American)

The blue Wazoo senses light and sound and responds with a behavioral repetoire of various LED patterns, movements, inflations, deflations, whirs, clicks and jiggles. It is six feet high and weighs about twentyfive pounds. It was made in 1975-76 and uses TTL logic circuits. It is currently owned by Allan Stone of the Allan Stone …

1968 – “Mini-Computer” – Ken Reinhard (Australian)

Growing up in Australia in the 1960s, "Mini-Computer" by Ken Reinhard was my first encounter with Computers and Art. Who can tell… ART? SCULPTURE? MACHINERY? What would you expect to see at on art exhibition featuring on "environ machine" and a "mini-computer"? Something resembling office furniture? That's what I thought, until I opened my program …